Blog Newsletter Syndicate

Bad Law Gut Punch II

Two sweeping new laws in California have been a heavy burden for us to bear here at Cagle Cartoons, Inc. I wrote about Assembly Bill 5 (AB 5) that limits California freelance cartoonists and columnists to 35 contributions to a publisher each year. Because of this limit, we will no longer consider submissions from California creators and we have dropped a number of California contributors from our site and our store. Other California freelance contributors that stayed with us are no longer paid, because of AB 5.

Cartoon by the brilliant Dario Castillejos from Mexico.

The California legislature dropped a second bomb on us with the California Consumer Privacy Act (CCPA). This poorly written, overly broad law is intended to affect only very large companies and protect consumer information that should be kept private, but in their sweeping ignorance, the legislature has swept up along with the Silicon Valley giants.

The CCPA imposes a huge $7,500.00 per violation fine for failing to properly disclose information about an individual and delete a user’s data upon request; the colossal fine is intended to threaten Web behemoths like Google and Facebook, who make billions of dollars reselling consumer data. The law applies to companies with over $25 million of revenue, or companies that earn over half of their annual gross income from reselling consumer information, or who maintain data on 50,000 or more people –it is the 50,000 threshold that snares our tiny, little business along with many other unintended small business victims.

We have about 85,000 fans who have opted to subscribe to’s free, cartoon-a-day, email newsletter. We use the mailing list to maintain the community of fans on The emails include links to my blog posts and new topical sections on; most of the traffic to is sustained by churning, with emails enticing the same fans to come back again and again to look at our new content. (Sign up for our Free Daily Newsletter here.)

50,000 sounds like a lot, but it is a small drop in the ocean of the internet.

Here’s how it works: if one of our emails has an enticing subject line we’ll get about 20% of the recipients to open the email; then, if the cartoon and link look interesting enough, another 20% of that number will click on the link to go to our site; so, perhaps 4% of the list, or around 3,400 fans, end up visiting from a typical email link. Since we have no outside site feeding traffic to us (as we used to have with, the newsletter keeps an active, but small community of political cartoon fans engaged with our cartoons and columns.

We’ve spent thousands of dollars in legal fees to comply with AB 5 and CCPA. The fines for failing to comply with AB 5 are steep, but a handful of $7,500.00 CCPA compliance fines are worse and could put our small business out of business.

Cartoon by the talented Michael Kountouris, from Greece.

Here’s some background to illustrate our risk … is a target for hackers who we believe come from third world regimes with humorless dictators who don’t like how they are depicted in our cartoons; there are clues that lead us to this conclusion, including the content on our site at the times of the worst attacks and the distribution of the servers delivering the attacks. The hacks we suffer from are often unusually large, complex and sophisticated; they are designed to bring our business and down –unlike the common attacks that normal Web sites see, that are only looking to steal credit card information or to hijack servers for Bitcoin mining. A good example is a sophisticated attack about five years ago on our email server that we used for our Free Daily Newsletter.

Five years ago we had about 150,000 opt-in email addresses on our list. Hackers broke into our email server and, over the course of about eight months, slowly, daily, methodically, added small batches of valid email addresses to our list, which grew over the months of the hack to nearly 800,000 email addresses. We didn’t notice the added addresses. Unlike a more typical attack that would try to delete the data on our servers and bring down, the daily email list continued to be delivered everyday without an apparent problem; we received the newsletters in our own accounts, as did all of our subscribers. We got few complaints from the hundreds of thousands of people who were added to the list by the hackers. We didn’t realize there was a problem over the months as determined hackers were bloating our email list.

Another great cartoon by Michael Kountouris, from Greece.

People who didn’t sign up for our newsletter didn’t complain to us –but some of them complained to their own email providers who placed on blacklists as a spammer. We ended up on all of the major email blacklists. Our newsletters, and our other business emails, were blocked and the newsletter stopped churning our traffic. It took some time for us to figure out what happened. We replaced the newsletter list with a backup we had from a year earlier and set out on a quest to get off of the blacklists, a difficult process that took a couple of years. We moved our email newsletter to MailChimp, which is more expensive but which has better security than we could manage on our own.

The experts who looked at the history of this hack told us that the attack was very unusual, and that the hackers were surprisingly sophisticated, motivated and patient, spending countless hours over the months, manually adding valid email addresses to our list. The experts hadn’t seen anything like it before. Instead of simply taking down our server such that we could put the server back up from a backup copy, this hack poisoned the well for us, with blacklisting that crippled our newsletter and our traffic for years to come. One comment the experts made was memorable, “Those guys must really, really hate you.”

As a target for hackers, we’ve come to realize that we can’t win, we can only respond and do our best against the persistence of the third world regimes that see cartoons as a threat. We’re small and we only do what we can (thanks again to Cloudflare’s Project Galileo for their generous support and protection against DoS attacks).

With continuing attacks, we can’t really be sure of what data is on our servers, we react and make fixes as we go along. We don’t keep sensitive data on our servers (like credit card numbers that can be stolen). We don’t run advertising on our sites. We never have and never will sell our data to anyone else.

Which brings me back to CCPA. Our modest, Free Daily Newsletter, that allows our community of fans to function, and which subjects us to a potential $7,500.00 per-violation fine if we’re found to have data on our servers that we didn’t report to any inquiring user. This opens us up to a potential hacker attack that would threaten us with potential CCPA fines for non-compliance in disclosing or deleting data that we never knew had been placed on our servers. It wouldn’t take much of an effort for hackers to subject us to a handful of $7,500.00 fines that could take down our small business.

Companies in California are expected to spend an initial $55 billion simply complying with CCPA, according to The Los Angeles Times, with a “gold rush” of start-ups and consultants looking to take advantage of the anxiety that CCPA is causing countless small businesses in California, like ours.

Beyond the risk, the cost of legal compliance, the programming changes and the fact that we’re not the intended target of this poorly written law, some of the hoops we’re required to jump through are ridiculous; the misleading statements that we’re required to make in our online Privacy Policy are a great example.

As a companion to to, we run a small newspaper syndicate that licenses editorial cartoons and columns to newspaper editorial page editors. We maintain a database of editors at papers that subscribe, for delivery and billing; we also maintain a list of editors who don’t subscribe, who we pitch, trying to get them to subscribe. The newspaper editors list includes the names of editors, publication titles, addresses, and the standard field, “Mr./Ms.” which under CCPA, means that we are collecting and storing sexual identification data on individuals. Because of the “Mr./Ms.” field in our editor database, this is the wording CCPA requires us to post in our required Privacy Policy: … In particular, we have collected the following categories of personal information from its consumers within the last twelve (12) months: C. Protected classification characteristics under California or federal law. Age (40 years or older), race, color, ancestry, national origin, citizenship, religion or creed, marital status, medical condition, physical or mental disability, sex (including gender, gender identity, gender expression, pregnancy or childbirth and related medical conditions), sexual orientation, veteran or military status, genetic information (including familial genetic information).

Cartoon by the stupendous Angel Boligan from Mexico.

Since we store street addresses for these editors, we must post this: … In particular, we have collected the following categories of personal information from its consumers within the last twelve (12) months: G. Geolocation data. Physical location or movements.

Since we keep notes on our contacts with the editors, we must post this: … In particular, we have collected the following categories of personal information from its consumers within the last twelve (12) months: K. Inferences drawn from other personal information. Profile reflecting a person’s preferences, characteristics, psychological trends, predispositions, behavior, attitudes, intelligence, abilities, and aptitudes.

Since we store names and email addresses, we must post this: … In particular, we have collected the following categories of personal information from its consumers within the last twelve (12) months: A. Identifiers. A real name, alias, postal address, unique personal identifier, online identifier, Internet Protocol address, email address, account name, Social Security number, driver’s license number, passport number, or other similar identifiers. B. Personal information categories listed in the California Customer Records statute (Cal. Civ. Code § 1798.80(e)). A name, signature, Social Security number, physical characteristics or description, address, telephone number, passport number, driver’s license or state identification card number, insurance policy number, education, employment, employment history, bank account number, credit card number, debit card number, or any other financial information, medical information, or health insurance information. Some personal information included in this category may overlap with other categories.

The required Privacy Policy could give pertinent information about what data Web sites really gather and store about users, but the crazy, hyperbolic wording that CCPA requires gives the impression that every site is spying and keeping intrusive data on everyone.

Since we acknowledge that we haven’t sold our data, we’re excused from some of the requirements of CCPA, for example, we’re not required to maintain a toll-free telephone number, posting our regular phone number is sufficient. But we’re not allowed to broadly state that we have not sold our data in the past and we won’t sell it in the future, we have to use this wording: In the preceding twelve (12) months, the Company has not sold personal information.

Another cartoon by the brilliant Mexican cartoonist, Dario Castillejos from Oaxaca.

The first advice my attorney gave me, before embarking on our expensive compliance journey under CCPA and AB 5, was, “You should move out of California.”

I’ve lived most of my life in California and I don’t want to move away from family and friends, so Cagle Cartoons, Inc. is suffering through the muck of risky, expensive, bone-headed, bad legislation. Since our business is small, it is fragile. Since we speak truth to power, we have many enemies around the world who would seek to take us down and it is ironic that the worst threats to us, and to the press in California, come from our Democrat controlled legislature in California.

We need your support for (and! Notice that we run no advertising! We depend entirely upon the generosity of our readers to sustain Please visit and make a contribution. You are much appreciated!

Read my article about Assembly Bill 5 (AB 5), the other new California law that is a gut-punch to us at Cagle Cartoons, Inc.

Blog Newsletter Syndicate

Brought to You in Living Black and White

Here’s a memory about NBC television, from our brilliant cartoonist, Randy Enos.

Over a span of 12 years (late 1960’s through the 1970’s), I worked heavily for NBC. I had left Pablo Ferro Films because his business went sour and rather than go to work at another film house, I decide to hit the streets and just freelance. Our secretary at Pablo’s had a husband who art directed at NBC so she sent me there where I met 9 art directors who gathered around and looked at my portfolio. One of them followed me out to the elevator as I left and said that he had 15 illustrations he needed right away. So, began my years with the Peacock. The art directors were a United Nations of nationalities. There was a Ukrainian, a Russian, Chinese, Arab, English, Irish, a couple of Jewish fellows and so forth. I ended up working for all of them. Some did the national advertising (New York Times, etc.) and others did affiliate station work which included even bumper sticker art while others did on air spot advertising, station breaker slides and film animation.

One memorable film animation job I did for them concerned their airing of the Beatles movie A Hard Day’s Night.

NBC was fiercely proud of their status as THE color network. They were still fairly new at this color thing when I came into their pantheon, but they had developed the system to be compatible with all the black and white sets across the nation which CBS had failed to do at that time. They tried to do as many color shows as they could. When a Movie of the Week was aired it was always a color movie –until A Hard Day’s Night came along. Imagine their embarrassment at having to air a black and white movie. The intro to their color presentations was always “NBC is proud to present the following program in living color”. The color logo of the peacock would appear on the screen and some rippled, burbly music would accompany the unfolding of the logo’s red, orange, yellow, blue and purple feathers.

SO, they came to me and asked if I could figure a way out of this dilemma. They wanted me to design an opening for the movie. An opening that would be for just that one night. They wanted something that could soften the blow of this being a black and white movie on the COLOR network.

Using the off-beat, quirky mind that Pablo Ferro had implanted in my brain, I decided to think about replacing our famous peacock with the only black and white bird that came to my mind, a PENGUIN! I figured I could have some fun with him flapping his small penguin wings up and down as our announcer would intone, “NBC is proud to present the following program in living BLACK AND WHITE!” He actually ended up saying “lively black and white”.

I set about drawing the scene in just line art. The penguin waddles out on the screen, takes off his top hat, waves his little arms up and down to the peacock music while the announcer does his thing. Then he unzips his white “tuxedo” front, it rolls down and emits – THE BEATLES, caricatured by me, tumbling out onto the ground where they quickly compose themselves and start playing. Then girls voices are heard screaming off camera. The Beatles run off to the right and we dissolve right into the opening scene of the movie where a bunch of girls are chasing them down the street.

I told this story on a blog years ago and some guy wrote to me to tell me that it was on YouTube. And here it is:

It’s pretty crude and scratchy and primitive and old looking, ain’t it?

I did quite a few films for NBC in those days but mostly it was caricatures of everybody on the shows even the newsmen, soap actors, etc. along with Flip Wilson, Jerry Lewis, Dean Martin, all the Laugh-in people, Bill Cosby, Danny Thomas, etc. etc..

But one of the other films I did was also a one-nighter. Carson had been off sick for a while so to commemorate his return to The Tonight Show, I created an opening which started out with a bird’s eye view of New York with an ambulance running through the streets to the NBC building in Rockefeller Plaza where it drives in… into an elevator… elevator opens up on the studio floor and we cut to Ed McMahon saying his, “H-E-E-E-R-R-R-R-E-E-E-E-S-S-S-S, J-O-O-O-O-H-H-N-N-N-NY!”

We had some friends who used to hold an annual “Tin Cannes Film Festival.” They were all film buffs who used to make their own crude little films that they would show. All the attendees would also arrive in costume. One year, I decided that my wife, Leann and I should dress in film. In the editing rooms at NBC, I remembered seeing big wastebaskets full of giant reels of heavy, thick 35mm film. They were just throwing it out so I asked if I could just grab a bunch of it. I took some reels home and we made complete costumes out of it.

Here’s the weird part. ALL of the film I had brought home were films I had made for NBC.

Email Randy Enos

Read more more of Randy’s cartooning memories:

The Hooker and the Rabbit

Art School Days in the Whorehouse

The Card Trick that Caused a Divorce

The Mysterious Mr. Quist

Monty Python Comes to Town

Riding the Rails

The Pyramid of Success

The Day I Chased the Bus

The Other Ol’ Blue Eyes

8th Grade and Harold von Schmidt

Rembrandt of the Skies

The Funniest Man I’ve Ever Known

Read “I’m Your Bunny, Wanda –Part One”

Read “I’m Your Bunny, Wanda –Part Two”

Famous Artists Visit the Famous Artists School

Randy Remembers Tomi Ungerer

Randy’s Overnight Parade

The Bullpen

Famous Artists Schools

Dik Browne: Hot Golfer

Randy and the National Lampoon

Randy’s Only Great Idea

A Brief Visit to Outer Space

Enos, Love and Westport

Randy Remembers the National Cartoonists Society