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To Scam a Cartoonist

 

hajocomputerdump
This cartoon is by Hajo from Holland.

To Scam a Cartoonist
By Monte Wolverton

A couple of weeks ago I got an email from a woman who called herself, generically enough, Mary. She said she wanted to hire me to “make cartoony of” a portrait of her family, so she could give it to her husband for his birthday. She attached a photo of her husband, two kids and herself. (See the photo at the top of this web site). She also let me know that she was engaged in humanitarian work, shuttling between Nepal and Australia, helping earthquake victims. Commendable. Damn commendable.

Why not? I thought. I can squeeze it in. I quoted her a price—not cheap, but I have bills to pay, Mary’s humanitarianism notwithstanding. I followed my standard policy for people I don’t know (and some I do)—credit card only, half up front. She got right back to me and said she would be paying by check, and therefore needed my cell phone number. I got right back to her and said sorry—credit cards only and I don’t give out my cell phone number. I never heard back, and didn’t give it a second thought.

A day or two later I learned that a cartoonist friend had taken her assignment. He did the requested family portrait and received a check for the amount he had agreed upon—plus $4,000. He emailed her and she said no problem—she had miswritten the amount. Go, ahead, she said. Cash the check, send her another check for $4,000 and keep the rest. At this point my friend realized that scamminess was afoot. He never cashed the check, but he lost valuable time doing work for nothing.

I can cast no aspersions because I myself almost fell for it. In retrospect, as usual, I could see four red flags. Who can tell me what they were? Okay, never mind—I’ll tell you.

1) Mary’s family photo was a little too cute. An ecstatically happy Caucasian family at the park—all grinning idiotically, with exceptionally good teeth. It had that slick stock-photo quality. Further, a Canon digital SLR is strapped around Mary’s neck. She’s white and blonde, yet she writes in broken English. “Make cartoony of”? Okay, maybe she’s Latvian, but probably not.

2) Why doesn’t she have a credit card? After all, she’s got a spendy camera, she shuttles between countries, and the kids in her photo have designer jeans. She writes checks for this stuff?

3) Why does she need my cell phone number to write a check?

4) Why do I need to know about her humanitarian work? Perhaps she was just sharing.

Oh, I almost forgot. Mary’s initial email came through the Association of American Editorial Cartoonists (AAEC) website. She was apparently looking for cartoonists to scam. Really — why editorial cartoonists? C’mon! We don’t make a ton of money. Most of us need other sources of income to support our cartooning habit. We fight for the oppressed and downtrodden. We stand against injustice, greed and exploitation. For that we get hate mail and death threats. Why not scam greedy hyper-capitalists and human traffickers instead? Here’s a suggestion for cartoonists. The next time a scammer emails you, go ahead and agree to do the work. Then send them a terrible, poorly rendered cartoon with awful perspective, garish colors, bizarre anatomy and confusingly tangent lines. Sign it as Marc Chagall. Few people will be able to tell the difference, but the scammer will likely be arrested when he or she tries to pass it off as genuine. And you’ll feel good.

Just kidding. I love Marc Chagall.

I’d be interested to know how many cartoonists fell for this one. I got this e-mail too.

I Googled the scammer’s e-mail address and found a post on the “Grand River Woodturners Guild” Facebook page, dated October 5th, warning of basically the same scam and noting that “all woodturners are getting this e-mail.” For the woodturners, the e-mail came from a man who was asking for a vase to be made for his wife. 

Thanks to Monte for writing this for us.

Daryl

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Daryl’s Letter to Israel’s Ambassador

MuhammadSabImage Daryls Letter to Israels Ambassador cartoons

Cartoon by Mohammad Saba’aneh.

TELL ISRAEL’S EMBASSY TO FREE SABA’ANEH

TWEET #FREECARTOONIST TO ISRAELI AMBASSADOR OREN

Here is my letter to Israel’s Ambassador …

March 16, 2013

Daryl Cagle
Cagle Cartoons, Inc.

Ambassador  Michael Oren
Embassy of Israel to the United States
3514 International Dr. N.W.
Washington, DC 20008

Dear Ambassador Oren,

I am writing to urge Israeli authorities to release a Palestinian political cartoonist, Mohammad Saba’aneh, who was jailed by the Israeli Defense Forces, on February 16th, at a border crossing between the West Bank and Jordan. He is being held without charge and is denied access to an attorney. Under Israeli law, Muhammad may be held indefinitely without charge. Only Israeli authorites know why he is imprisoned.

Muhammad is a cartoonist for Al-Hayat al-Jadida, the official newspaper of the Palestinian Authority, and he works at the Arab American University in Jenin on the West Bank. He is a respected cartoonist; he is not a terrorist or a criminal. Arab cartoonists often draw ugly, racist, offensive cartoons about Israel, but Muhammad’s cartoons are not among those; his work, although critical, is more balanced and artful.

2SabaanehPhotoWashington Daryls Letter to Israels Ambassador cartoons

Click on the photo above to read more about Saba’aneh’s plight from the Cartoonists Rights Network site.

I met Muhammad in 2010, when the U.S. State Department sent him to our Association of American Editorial Cartoonists convention in Florida, where he got to meet many of his American colleagues. Muhammad told me he was a fan of my work; he is a charming guy, eager to show his own cartoons to all of his new friends. Muhammad is active in the global cartooning community and cartoonists around the world are closely following the story of his plight in Israel.

I run a small business, Cagle Cartoons, Inc., that syndicates the work of cartoonists from around the world to over 850 subscribing newspapers, including half of the daily, paid-circulation newspapers in America. Among the cartoonists we distribute is Yaakov Kirschen, the cartoonist who draws Dry Bones for The Jerusalem Post; Yaakov’s cartoons run in Jewish newspapers throughout the USA. Our American editorial cartoonists are great supporters of Israel, in contrast to cartoonists from the rest of the world who harshly criticize Israel. The contrast is easy to see as editorial cartoons reflect world opinion. American cartoonists are Israel’s most visible suporters, and my own small business is the leader in distributing these views for America and the world to see.

It seems clear that Muhammad has been jailed to chill his cartoons that are critical of Israel. Instead, this ugly incident risks chilling Israel’s most visible supporters in America’s press, at a time when Israel needs our support more than ever.

American cartoonists like to see Israel as a champion of democracy and press freedom in a hostile Middle East – Muhammad’s case undermines that perception and seems to be a clumsy attempt to silence the press. This incident makes Israel appear to be no better than its repressive neighbors.

I’m writing to you in the hope that you will urge the authorities in Israel to release Muhammad, return him to his family and allow us to again see Israel as a democracy that respects a free press.

Truly,

Daryl Cagle
Editorial Cartoonist
President, Cagle Cartoons, Inc.

—————————————————————

Want to hear more about Mohammad Saba’aneh? An interesting audio report from The World, including an interview with my Israeli cartoonist buddy, Uri Fink, is posted below. Here is another recent report about Saba’aneh.  Here is a nice blog that follows the case at Cartoon Movement, including cartoons drawn in support of Saba’aneh.

 

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Trivedi’s Cartoon Media Storm in India

Cartoonist Aseem Trivedi was released from jail in Mumbai on $100 bail and a promise that sedition charges against him would be dropped.  It was interesting to watch the media storm about Trivedi explode in the middle of my speaking tour of India.

Trivedi's drawing shows India's Parliament building as a toilet, a commentary on corruption in India's government.

The Cartoonists Rights Network, a foundation associated with my professional organization, The Association of American Editorial Cartoonists, is giving their Courage in Cartooning award to Trivedi this weekend at our convention in Washington DC.  I’ve been spending the past two weeks talking to the media in India, and early on I would get no interest or follow up questions about Trivedi – then when Trivedi went to jail it was all over the news, in banner headlines in all the newspapers and dominating TV news.  All of India was outraged at the ridiculous charges and injustice of putting a cartoonist in jail for drawing symbols of the state.

I heard and read a lot of outraged opinions on the case in the media here, and I don’t recall hearing anyone argue in favor of jailing Trivedi.  He got support from all corners of India, although I notice that nowhere in the media did I see anyone reprint or show the offending cartoons.

Also interesting was the motivation of journalists here to tell “both sides” of the story, but since nobody would speak in favor of jailing the cartoonist, the “other side” came out as derision, describing Trivedi as a “bad cartoonist,” and the cartoons as “terrible,” although “nothing that should land the cartoonist in jail.”  I think that attitude is just plain rude.  Trivedi isn’t a bad cartoonist – as regular readers of our site can see, his cartoons hold up pretty well to cartoons by other foreign cartoonists, and cartoonists from India.  I think he’s a good cartoonist, and he deserves some respect for his artwork.

This image, a parody of India's national seal, was the cartoon described most often in the media here.

Trivedi also deserves some admiration for the way he handled himself through this media storm.  He refused to accept bail for days, keeping the story alive and in the headlines.  He’s been appearing all over the media since his release, giving interviews and making intolerant authorities here look silly.  I think he’ll have a strong impact on moving India to a more free press.

There is a general rule that editorial cartoons are a barometer of freedom in any country – if cartoonists can draw the president of their country then the country has a free press.  We don’t see Chinese cartoonists drawing their president; Fidel Castro is never drawn by cartoonists in Cuba.  Our cartoonists in Singapore tell me that they are free to draw anything, as long as it isn’t about Singapore.

In India there is a mixed message on the cartoonist barometer.  The press savages the Prime Minister, who is regularly lampooned in cartoons, but drawings of the President of India, who has a less substantive, ceremonial role, are barred.  Cartoonists are forbidden by law from offending religious sensibilities – and Trivedi did well to limit his cartoons to symbols of the state, so that religious issues never came into the argument.  Cartoonists in India are forbidden from drawing symbols of the state, without first getting permission from the state – that may change soon, because of Trivedi, and it is an important change.  It is the role of editorial cartoonists to criticize government, and symbols of government (flags, seals, currency, government buildings like India’s Parliament building) are the prime tools in every editorial cartoonist’s tool chest.

This offending Trivedi cartoon shows "Corruption" about to rape "Mother India." Trivedi's "seditious" cartoons all used symbols of state in commentary about government corruption.

If I couldn’t draw symbols of governments, and I was barred from offending religious sensibilities, there wouldn’t be much of substance left for me to draw.

Trivedi has done an excellent job of making his point against government corruption in India and against the absurd restrictions against cartoonists in India.  He’s an excellent artist too, and at the young age of 24 he’s now India’s star cartoonist.  All in all, a great result for a talented, media savvy, young activist.