Categories
Blog

A Brave Cartoonist is Murdered by the Syrian Regime

I am saddened to write that Cartoonists Rights Network reports that Syrian cartoonist Akram Raslan has been executed by the Syrian regime after a sham trial.

StJustAkram A Brave Cartoonist is Murdered by the Syrian Regime cartoons

Click on the photo to see a larger view. That’s me sitting on the stage at the lower right. Such sad news for the cartooning community.

Just last week, at the Humor Salon in St Just, I joined a nice assembly and demonstration by world cartoonists in support of Akram – at the time we all thought Akram was imprisoned, but he had already been murdered. Akram’s crime was to make people laugh at the Syrian dictator, Bashar Assad in his cartoons.

Truly tragic news.  From the Cartoonists Rights Network report:

A Brave Cartoonist is Murdered by the Syrian Regime cartoons     We’ve learned that on July 26, Akram Raslan and other prisoners of conscience including journalists, artists, singers and other intellectuals were secretly put on trial with no witnesses, no defense attorneys, no appeal, and no hope for justice.  From unconfirmed and sketchy reports we learned that they were all condemned to life imprisonment.
     Somehow, along the way to prison young 28-year-old Akram Raslan (and possibly others) was peeled off,  taken out and executed. He is reported to be in a mass grave somewhere near Damascus. Our reliable but for obvious reasons anonymous sources further allege that the murder of Akram and other condemned prisoners was carried out by Mohammad Nassif Kheir Bek, currently the Deputy Vice President for Security Affairs in Syria.  He has already been sanctioned by the European Union for the use of violence against protesters and the Syrian civil war.
     Akram Raslan was the winner of the Cartoonists Rights Network International, Award for Courage in Editorial Cartooning for 2013.  Past award winners have hailed from Malaysia, South Africa, Turkey, Palestine, Iran, and India,  including last year’s winner, Ali Ferzat, also from Syria.
     Here in the United States we are experts in the knowledge that editorial cartooning is a dying art.  In other areas of the world, however, it is an art that people die for.
     CRNI has been monitoring and assisting political cartoonists in trouble for the last 20 years.  They are often victims of failing regimes stamping out criticism, drug cartels squashing investigations, corporate interest protecting money and political manipulation, and religious zealots stamping out thinking.
     About nine months ago young Akram Raslan was abducted from the offices of his newspaper and “disappeared” into the Syrian dictator Bashir al-Assad’s prisons for the next six months.  Readers might remember the case of Syrian cartoonist Ali Ferzat who in 2011 had his hands broken by the Syrian regime’s thugs. As they finished the job they told Ali that his broken hands would prevent him from disrespecting their master through his cartoons.  Ali Ferzat was lucky.  He survived the beating and eventually found safe haven in another Middle Eastern country.   His revenge was to live to draw again.
     The hue and cry over this attack that grew from the world’s journalists and cartoonists must have made an impression on Bashir al-Assad. This time, a beating wasn’t enough. This time he decided to “disappear” the cartoonist permanently.
Here are a couple of Akram Raslan cartoons that likely angered his murderers, from the Cartoonists Movement site …
AkramRaslanToonAssadOrBurnTheCountry A Brave Cartoonist is Murdered by the Syrian Regime cartoons
A Brave Cartoonist is Murdered by the Syrian Regime cartoons
Categories
Blog

Trivedi’s Cartoon Media Storm in India

Cartoonist Aseem Trivedi was released from jail in Mumbai on $100 bail and a promise that sedition charges against him would be dropped.  It was interesting to watch the media storm about Trivedi explode in the middle of my speaking tour of India.

Trivedi's drawing shows India's Parliament building as a toilet, a commentary on corruption in India's government.

The Cartoonists Rights Network, a foundation associated with my professional organization, The Association of American Editorial Cartoonists, is giving their Courage in Cartooning award to Trivedi this weekend at our convention in Washington DC.  I’ve been spending the past two weeks talking to the media in India, and early on I would get no interest or follow up questions about Trivedi – then when Trivedi went to jail it was all over the news, in banner headlines in all the newspapers and dominating TV news.  All of India was outraged at the ridiculous charges and injustice of putting a cartoonist in jail for drawing symbols of the state.

I heard and read a lot of outraged opinions on the case in the media here, and I don’t recall hearing anyone argue in favor of jailing Trivedi.  He got support from all corners of India, although I notice that nowhere in the media did I see anyone reprint or show the offending cartoons.

Also interesting was the motivation of journalists here to tell “both sides” of the story, but since nobody would speak in favor of jailing the cartoonist, the “other side” came out as derision, describing Trivedi as a “bad cartoonist,” and the cartoons as “terrible,” although “nothing that should land the cartoonist in jail.”  I think that attitude is just plain rude.  Trivedi isn’t a bad cartoonist – as regular readers of our site can see, his cartoons hold up pretty well to cartoons by other foreign cartoonists, and cartoonists from India.  I think he’s a good cartoonist, and he deserves some respect for his artwork.

This image, a parody of India's national seal, was the cartoon described most often in the media here.

Trivedi also deserves some admiration for the way he handled himself through this media storm.  He refused to accept bail for days, keeping the story alive and in the headlines.  He’s been appearing all over the media since his release, giving interviews and making intolerant authorities here look silly.  I think he’ll have a strong impact on moving India to a more free press.

There is a general rule that editorial cartoons are a barometer of freedom in any country – if cartoonists can draw the president of their country then the country has a free press.  We don’t see Chinese cartoonists drawing their president; Fidel Castro is never drawn by cartoonists in Cuba.  Our cartoonists in Singapore tell me that they are free to draw anything, as long as it isn’t about Singapore.

In India there is a mixed message on the cartoonist barometer.  The press savages the Prime Minister, who is regularly lampooned in cartoons, but drawings of the President of India, who has a less substantive, ceremonial role, are barred.  Cartoonists are forbidden by law from offending religious sensibilities – and Trivedi did well to limit his cartoons to symbols of the state, so that religious issues never came into the argument.  Cartoonists in India are forbidden from drawing symbols of the state, without first getting permission from the state – that may change soon, because of Trivedi, and it is an important change.  It is the role of editorial cartoonists to criticize government, and symbols of government (flags, seals, currency, government buildings like India’s Parliament building) are the prime tools in every editorial cartoonist’s tool chest.

This offending Trivedi cartoon shows "Corruption" about to rape "Mother India." Trivedi's "seditious" cartoons all used symbols of state in commentary about government corruption.

If I couldn’t draw symbols of governments, and I was barred from offending religious sensibilities, there wouldn’t be much of substance left for me to draw.

Trivedi has done an excellent job of making his point against government corruption in India and against the absurd restrictions against cartoonists in India.  He’s an excellent artist too, and at the young age of 24 he’s now India’s star cartoonist.  All in all, a great result for a talented, media savvy, young activist.

Categories
Blog

Indian Cartoonist To Be Tried For Treason

Indian cartoonist Aseem Trivedi, this year’s Courage in Editorial Cartooning Award winner (along with Syrian cartoonist Ali Ferzat) plans on turning himself over to the police in Mumbai in the next couple of days over controversial cartoons he posted on his web site that parody India’s national symbols.

Trivedi was charged in January with treason and insulting India’s national symbols, and if found guilty, he could face up to two years in prison and a fine of up to 5,000 rupees (about $100).

In the cartoon below, Trivedi took India’s national emblem of the Four Sarnath Lions of King Asoka that sit above the motto “Satyamev Jayate” (truth alone shall triumph) and re-drew them as bloodthirsty wolves on the re-worded motto “Bhrashtamev Jayate” (long live corruption):

In another offending cartoon, Trivedi drew the Indian parliament building as a toilet:

There is a long tradition of editorial cartoonists using symbols of states to express opinions about governments. Drawing a legislature or parliament building as a toilet is common.  I recently drew our Capitol building in Washington as a toilet:

The offending cartoon below by Trivedi shows the “Mother of India” being held down by politicians and bureaucrats, about to be raped by corruption:

The Indian Constitution allows for “the right to freedom of speech and expression.” Trivedi’s critics argue that while he is allowed to mock and poke fun at politicans, it is a crime to mock the national emblem, the parliament and the Indian flag.

Read an interview that Trivedi gave to Cartoonist Rights Network International, here’s a quote:

“I am democratic. I am patriotic. I have a twenty-four year life without any charges of corruption. I am only making cartoons. … I am talking about nationalism. I love my country. I am reacting [to the corruption] in my own way. Someone is protesting. Somebody is a doing hunger strike in India. [As for me,] I am a cartoonist.”

There is a lot of sensitivity in India about cartoons that offend religious sensitivities, but cartoons that bash the state must be fair game. I would argue that editorial cartoonists must disrespect governments and symbols of governments as a professional obligation.