Those Zany, Bloody, Colombian Cartoons – UPDATE

Editors: Due to new developments in Colombia we’re sending this updated version.

Those Zany, Bloody, Colombian Cartoons

I just got back from a cool editorial cartoonists’ conference in Colombia last week. Bogota is a huge city of about 8.5 million people, full of universities and libraries and a thriving community of cartoonists. Colombian politics are crazy, bloody, complex and difficult for me to digest in just a week of cramming. Colombia is the second biggest country in South America and the third largest recipient in the world of U.S. foreign aid, because of all the drug issues there. The U.S. State Department brought me to Colombia on a speaking tour to attend the conference as the only American cartoonist.

The Colombian cartoonists are a spirited bunch, with odd one-word pen names such as Mico (monkey), Chócolo (corn-on-the-cob), Matador (killer) and Bacteria.

Mico is also a national TV star; he dresses up like a woman, holds an umbrella and talks about politics with his actor partner on a popular show that he writes each week called “Tola y Maruja.” Bacteria took his name to honor his mother who died from a bacterial infection soon after giving birth to him. Some of this Colombian stuff is pretty strange.

The Colombian political cartoonists have a macho attitude and take pride in speaking truth to power. Their cartoons are gory. Many recent Colombian cartoons are about the so-called “false positives” where the Colombian army was paid to kill paramilitary guerillas, and killed many innocent, civilian “false positives” along the way, identifying the innocents as militants in order to collect more government bounties.

The only two Colombians who came to mind when I first arrived were Juan Valdez and Pablo Escobar, the Medellín drug kingpin. Colombia had many years where drug gangs ran roughshod. Colombians order delivery of everything — even McDonald’s, harking back to the days when it was unsafe to walk the streets. The government didn’t do its job of protecting the people from lawlessness, so Colombians banded together, funding paramilitary groups for protection from the criminals. Of course, once they were formed and armed, those paramilitary groups became lawless themselves.

The FARC is a Marxist guerilla group that raises their funds through kidnappings, drug dealing and contributions from nutty euro-communists. In 2008, the Colombian security forces successfully rescued some hostages that the FARC had been holding for years, including former beauty queen, senator, presidential candidate and French dual citizen, Ingrid Betancourt. A high profile Colombian raid into Ecuador killed FARC leaders and led to a diplomatic wound with Ecuador, which seems to have recently been healed.

Now the streets are safe enough that pedestrians can worry about being mugged rather than riddled with bullets from narco-Marxist-terrorists, thanks to scandal-plagued Colombian President Alvaro Uribe, supported by the USA, who has done a messy but assertive job of crushing the paramilitaries. The Colombian cartoonists savage Uribe, who is term-limited out of office soon and just had his hopes for a third term quashed by the Colombian Supreme Court.

The Colombian cartoonists love to ridicule their neighbor and FARC supporter, President Hugo Chavez, who cut off economic ties between Venezuela and Colombia to protest Colombian military cooperation with the USA. Newspapers have stories every day about Chavez’s dysfunctional regime.

With such a bloody circus of local events, it is not surprising that the Colombian cartoonists draw almost exclusively about issues concerning Colombia and its neighbors. Editorial cartoons from around the world are not reprinted in Colombia, just as we don’t see Colombian cartoons reprinted in America.

There were lots of questions at the conference about censorship and about where cartoonists should “draw the line” on topics they won’t touch. I encouraged everyone to think of editorial cartoons as a barometer of freedom. In many countries, cartoonists never draw their leaders; cartoonists in Venezuela aren’t allowed to draw Hugo Chavez; cartoonists in Cuba never draw Fidel Castro. In Colombia the cartoonists ridicule their president Uribe every day and their lack of respect for their president speaks well of healthy press freedoms in Colombia.

Cartoons are important in Colombia; it is great to see the respect that cartoons command and to see how they have an important spot in so many newspapers and magazines. Even so, Colombian cartoonists complain about many of the same business problems that plague American cartoonists. Business is bad for newspapers everywhere and cartoonists are poorly paid.

The Colombian cartoonists also like to complain about editing; American cartoonists complain about editing too. It can be difficult to explain to foreign audiences that editing isn’t the same as censorship. Freedom of the press belongs to the guy who owns the press.

With all their complaints, the bloody, gory cartoons show that the Colombian cartooning profession is relatively healthy.

Daryl Cagle is a political cartoonist and blogger for; he is a past president of the National Cartoonists Society and his cartoons as well as 50 other cartoonists, at are syndicated to more than 850 newspapers, including the paper you are reading. Daryl’s books “The BIG Book of Campaign 2008 Political Cartoons” and “The Best Political Cartoons of the Year, 2010 Edition” are available in bookstores now.

By Daryl Cagle

Daryl Cagle is the founder and owner of Cagle Cartoons, Inc. He is one of the most widely published editorial cartoonists and is also the editor of The Cagle Post. For the past 35 years, Daryl has been one of America’s most prolific cartoonists.